Creatively, actual making has been a bit thin on the ground this week as the re-organisation of tables and working space carries on. But I don't mind as it's giving me time to consider just where my creative input should be focused on. There is something so refreshing about a clearout - it gets you out of habitual thinking and allows you to look at your work and ideas with fresh eyes. Colour palettes, techniques, materials, we all have old favourites we fall back into using without always considering why or if it's the best choice. So I've been browsing my books, researching ideas and surfing online to find new inspiration to add to the creative melting pot, so to speak. And on my bookshelf was this book I re-discovered 'The Painted Quilt' by Linda and Laura Kemshall.
I featured this on my blog when it first came out - oh, 2007?? Yikes! But I still feel inspired every time I pick it up and get lost in the visuals. The combination of print, stitch, dyeing, colours and layers of visual language are just sumptuous and so distinctive in style. It made me realise that I love working with all aspects of markmaking - the texture, colour, layering, embelllishment, relief - 2or3D, fabrics, papers, experimentation, building up complexities using mixed media. And as much as I like my filigree vessels, they don't convey as much to me as these textile pieces do. It's the process of discovering new things that attracts me more than the outcome. I know all this about myself but sometimes being visually reminded is a good jolt back onto your true creative path.